ISAIAH HOWELL
is an audio human, based in Brooklyn, NY. They received a BFA in Lighting Design with a focus in Sound Design at Virginia Commonwealth University in 2018. Post graduation, they relocated to New York and have been working as a freelance A1, Production Audio, and Sound Designer, with a penchant for original works. Sound design credits include Ben Gassman’s Botte di Ferro (dir. Tara Elliot), Clubbed Thumb Theatre Company’s Temporary Occupant (dir. Rachel Gita Karp), and L.A. New Court Theatre's production of Atlas Pit, or The Garbage Man's Son (dir. by Beth Lopes) [Winner StageSceneLa Scenie Award].
Throughout the course of their undergrad, Isaiah designed sound for various productions, both with the Mainstage and the student run Shafer Alliance Laboratory Theatre, including Reborning (dir. by Amber Martinez), It's A Wonderful Life: A Live Radio Drama (dir. by Alex Burkart) [Sound Foley Designer], The Nerd (dir. by Jennings Rice), and Rhinoceros (dir. Josh Chernard).
When their not working shows, they enjoy relaxing and goofing off at home with friends, playing with dogs at the local dog park, watching bad movies, (attempting to) write shows for stage and screen, writing scores and producing music, and exploring some of Brooklyn’s coolest art scenes.
They’re really just a big nerd and super dorky to the moon (see below)!
